two seminal releases from milo, originally only available on cassette, now pressed together on 12” vinyl courteous of ruby yacht and the order label.

born in cameroon, vicky began banging the drums at the age of 9. by 13 he had moved onto bass and within a couple of years he was playing every night from 10pm to 5am in the castel douala cabaret. at the age of 19 vicky moved to paris to study banking and commerce and cram in even more music. he took classes at Épinay-sur-seine conservatoire music school and it was here that he met bandmates of his dikalo project. word spreads and he soon becomes one of the most sought after bass players in the afro arena. his session work features on many scenes stars, manu dibango, eko tala am, kemayo, sammy massamba, toto guillaume and many more. a chance meeting with the gibson brothers also see him play on two of their hit albums. in the 80s vicky moved to the us for spell and excels as a session bassist and touring musician. we pick up the story in 1981. with his stature as a musician and bass player riding high he takes a detour to nigeria to record with the afrodisia label in lagos. the thank u mamma album is the result. it is repressed for the first time, here in 2018 on the revitalised afrodisia label. musical proceedings open up with the heartfelt ode to his mother thank u mamma, smooth pop meets afrobeat boogie. marina driv slows things down with its smoldering jazz. side two opens with its not serious a catchy vocal number underpinned with funky guitars and striding basslines. stormy rain is lazy guitar jazz swansong. we close off the album with the ever so funky you. slick funk grooves powered along with a dose of slap bass. as a side note vicky actually plays left handed but with a upside down right handed bass. this upside-down precursor making his effortless slap playing even more impressive. vicky went on to record a two other albums and still tours and plays as an ever-in-demand session musician.

broken district is a new label launched by the creative minds of jus jam, momla and antwan. the project is born with the idea of exploring alternative music styles that blend the influences of the label s creators, including jazz, house-music, hip-hop, funk, soul, and experimental music. in order to give a global overview of the label s territory, broken district is kicked-off with a series of va eps. momla inaugurates the label s first release with an instrumental funk ballad. he is using soul samples, synths and an electronic piano to create a smooth vibe, led by a catchy bassline. up next, hip-hop producers yepes & plae casi are stepping out of their favourite field to incorporate house-music rhythmic elements over an old-school r&b flavour. berlin-based producer marian tone is closing the first side with a laidback, jazzy hip-hop instrumental. the other side opens with the copenhagen-based talent jeppe wolmer. -normal position- is a modern take on disco & boogie, with a rhythmic bassline and reverbing rhodes, ending with acid infused synths. concluding this first release, label s co-founder jus jam gives us another glimpse of his musical talent through a dreamy journey that blends house-music, hip-hop and jazz together. welcome to the broken district.

desert island edits isn t just another re-edit label, but an outpost to turn forgotten disco, italo and balearic gems into brand new extended versions and modified remakes from the talented and elusive carlos cezaro. desert island edits no. 1 starts on a high with cezaro s mj s vacation which transforms rock with you into a 21st century balearic groover. warm chords, dreamy brass and a hypnotic bassline. this one has the right ingredients to move anyone from poolside to dance floor. over on side b, carlos takes on the 80 s soul classic sexual healing and constructs a low-slung groover with lush rhodes keys and ethnic hints, perfect for those lazy sunsets and warm evening sessions. keep an eye out for future limited releases from desert island edits as well as beach parties and guest appearances from ibiza to bali, spreading the desert island love throughout the globe. limited hand-stamped numbered copies...

aroop roy has been making waves with his unique sounds for the past few years, with a wealth of successful releases and a busy gig schedule at the helm of some of the best clubs around the world. by fusing elements of jazz, afro, latin, funk and soul with the deeper end of house and disco, aroop has forged his own style with eps on revered labels including g.a.m.m, basic fingers, freestyle and lazy days. for his delusions of grandeur debut he pulled out all the stops, delivering three original tracks which further show his diversity as an artist and ability to produce left of centre, quality underground music without losing sight of the dancefloor. things kick off with save our love, a track that’s absolutely brimming with energy thanks to punchy wurlitzer chops, tension-building philly strings, and a rock-solid disco groove. next up we have what i love which sees aroop take an altogether more freaky approach flipping an uptempo rolling break, distorted synth line, cross-rhythm stabs and rasping vocal cuts into an edgy dance floor workout. closing this brilliant ep is the low-slung bump of walk that walk featuring original vocals from oakland, ca based blacktroniks who delivers his flow on top of a bass-heavy slice of deep electro boogie.

edmondson first came to my attention with his lobster theramin distributed release, flamingo tripper, on his own label lissoms. or so i thought. turns out he was actually a guy who used to serve me in one of my favourite pubs in newcastle. back in those days he was a dub step / drum and bass kid, and as per the trend with all of those guys, hes now showing the house heads how its done, with a much keener feel for sound design, groove and a better ear for a sample than 90% of us lazy people who cut our teeth on a 4/4 beat. edmondson (or sean as i did know him and how i know him once again) is really one of the most exciting producers out there right now for me, and i couldnt be happier that weve reconnected and hes kindly allowed me me me to present some of his amazing music. we have love is an instant classic, and psg is a work of pure emotive art. to remix we have love, ive enlisted dauwd (fresh from his amazing album on technicolour). sean suggested him, and i jumped on the suggestion as he was one of the first people i met when i moved to berlin 4 years ago, and ive been trying to figure out a way of working with him since. he takes a we have love down a kind of more delicate and steppy route. its very pretty, but also really makes you want to dance. to remix psg i asked asok. again, i thought i first met asok about 7 or 8 years ago, when he came and played for a party i used to throw in newcastle. after becoming good friends over the years, we got chatting and it turned out that we were both in magaluf in 1998, and may have actually been involved in the same street brawl. thats not something either of us are proud of, but its definitely food for thought. i’m biased, but i think his remix is my favourite thing he’s ever done, and i love everything he’s touched musically to date, so thats probably an even bigger endorsement than it first seems. his version is big.

following the adelaide electro sounds of furious franks magic mountain ep, ken oath returns with an eye-opening survey of modern ambient music along australias coast. breathing space is the intermingling of organic and synthetic textures lyrical birdsong and field recordings that evoke the immense natural beauty of australia alongside blissful pads and synthesizers that echo the calming waves from lazy days spent by the beach. with contributions from ken oath alumni donalds house and angophoras max santilli alongside 9 other hand-picked australian artists, these meditations on antipod

sold out - its that time of year when thoughts turn to lazy afternoons down the beach, early evenings sat watching white isle sunsets and sticky nights of loved-up debauchery. in other words, it s the perfect time to dive into the latest volume in the consistet balearic compilation series. there s naturally much to admire in the now-familiar cafe del mar/cafe mambo style, from the horizontal, flute-laden samba shuffle of the madrigals the ride to the moon and shay lovers exceedingly drowsy black & white, to the warm chords and head nodding beats of steve cobby s remix of tradewinds- by penelope antena, and tropical exuberance of maajos musa paradisa. best of all, though, is mudd s impeccable mix for emma of zee erf s blissful cover of southern freeez, which is one of the most stunning tracks you ll hear all year.

pinke heavyweight lp mit achtseitigem booklet, 24 inchx24 inch poster und mp3-downloadkarte.
eine der wenigen bands aus den nullerjahren, die immer noch erfolgreich sind meldet sich mit ihrem fünften album zurück: franz ferdinand mit neuem line-up und zehn nagelneuen songs, leichtfüßig-elegant produziert von philippe zdar (cassius/phoenix). mit zwei brit awards, vier nme awards, einem mercury prize, vier grammy nominierungen und weltweit zwölf millionen verkauften platten zählen franz ferdinand heute zweifellos zur indie-rock aristokratie. fünf jahre nach ihrem letzten studio-album und drei jahre nach ihrem supergroup-projekt ffs veröffentlichen die glasgower 2018 ihr fünftes album “always ascending“. und so viel darf schon verraten werden: die zeichen stehen auf neuerfindung.

schwarze heavyweight lp mit achtseitigem booklet, 24x24 inch poster und mp3-downloadkarte.
eine der wenigen bands aus den nullerjahren, die immer noch erfolgreich sind meldet sich mit ihrem fünften album zurück: franz ferdinand mit neuem line-up und zehn nagelneuen songs, leichtfüßig-elegant produziert von philippe zdar (cassius/phoenix). mit zwei brit awards, vier nme awards, einem mercury prize, vier grammy nominierungen und weltweit zwölf millionen verkauften platten zählen franz ferdinand heute zweifellos zur indie-rock aristokratie. fünf jahre nach ihrem letzten studio-album und drei jahre nach ihrem supergroup-projekt ffs veröffentlichen die glasgower 2018 ihr fünftes album “always ascending“. und so viel darf schon verraten werden: die zeichen stehen auf neuerfindung.

ant orange’s third 12&#8243, for karaoke kalk forms something resembling a trilogy for the label. “right there” is built on a familiar rhodes-n-bass aesthetic, combining the lo-fi jazz of 2017’s “arkupe” with the soulful vocal motifs of 2015’s “s/t”, while introducing more electronic ingredients and taking an increasingly exploratory approach to rhythm and composition. the opening title track clocks in at over 8 minutes, growing slowly from soft tickled keys to a full-bodied groove circled by airy synths and fragmented rnb vocals. “drunk in the trunk” then shifts down a gear, looping another vocal cut over a lazy, stripped-back wahwah vibe. side a closes with experimental jazz skit “let that sink in”, its jerky tempo and flashes of light reminiscent of a late-night subway ride. the b-side takes a more contemplative tone, with the meditative arpeggios and sparse drums of “comfort zone” leading into the dusky west coast stroll of “muscle beach”, before “rudis goes offline” picks up the tempo for a last shimmering dance. the closing track “a frozen lake” sounds just like it sounds – chilled by name and by nature.

version galore is a newly found label, deeply rooted in the music culture. we bring you the selected reworks / versions from the top producers in the game, showing lots of respect and care for the original, but elevating it s spirit and taking it somewhere else. it s all about the dialogue of cultures and the idealistic desire to pass the music legacy on! no half-measures, played-out tunes, lazy cuts, or boring 808-kick boosting biz! k2 is an alias of someone who you should be very familiar with by now, especially if interested in quality house music. no clues? he the music legend from baltimore, one of the most versatile and technically-gifted djs on the scene, a master of cdjs, who singlehandedly restored public s interest in gospel music with his ultimate dance bomb work it out. still hesitant? ok we ll help you its the one and only karizma!

special sales pack for all you athletikk lovers out there - contains three classic releases
athletikk001: kerosene - like a ghost
athletikk003: jussi-pekka - uraputki express
athletikk004: kerosene - little mosquito (lars sommerfeld remix)

two spontaneous recordings made by mystic jungle and rico milord during an hot midsummer night at west hill studio (camaldoli, naples). lo-fi reverbered analog cheap drums, fm synthesizer, electric bass and lazy guitar movements amplified in a vintage space echo.

we are proud to present sare s fourth album softmachine. it is a ten track synthesizer epic which takes us through multiple musical flavors of electronica, italo, dancefloor, disco and smooth soul pop. all threads are neatly bound up and unified by the common principles of smooth electronics, solid melody and slick song-writing. the album opens with the intro track and scene setter, dreamachine. it is a dystopian synth algorithm which is one part aural mindscape, one part electronic opus and one part sci-fi soundtrack. a perfect scene setter. everybody freak out bursts open the flood gates with a tide of funky swing, brash disco swagger and catchy lead lines. softmachine shows sare s finely honed song writing prowess with its lazy grooves, 80s sparkling synths and meandering robotized main vocal line. next the dancefloor calls with a peak-time disco vocal groover like you wanna do. it features a vocal from vaarka delivering a fine performance. multi-layered guitars, perky bass guitar and a pulsing groove power this track along. here comes that sound carries on the dancefloor vocal vein with its 4-4 beats, driving bass and sweet strings sitting perfectly alongside a multi vocalled chorused vocal from barbara grabar, kristina strasek and vanja dizdarevic. on the flipside things open with riot, sawtoothy synth waves and darting keyboard lines lead the way in this sci-fi sound track with a core of antagonism at its core. science of the beat follows with its stabby synth bass, rolling stabs and vocodered main lines. music and lies layers in sweet synth pads, melancholy meanderings and just a touch of forlorn sadness into its melodies. to round things off no chance to dance digs deep into the chic vibes with its percussive chop-guitar, on-the-beat bass guitar and swinging hand-clap disco beats. the album closes with the painfully optimistic perpetual rise, a metropolis meets vangelis like analog synthesizer masterclass

the seventh ep on frits wentinks bobby donny label brings together some known and unknown producers. the original production is by low end activist, someone who has spent the last 15 years in berlin, bristol and brighton, no doubt picking up parts of the musical styles of those cities as he goes. it features london grime mc trim, an original member of roll deep and an artist signed to james blake s 1-800 label. the remixes comes from frits himself as well as cassius select, who has recently released on uttu and herbert s accidental. park end is a naughty tune with garage tinged drums slipping and sliding beneath menacing rhymes from trim. paranoid synth sounds and an oscillating low end speak of late night urban mischief and its the sort of characterful tune to stand out in any set. cassius select reconfigures the tune as a much more dark and experimental number with a heavy bottom end and huge sub bass that totally envelops you. frits then goes for a more mellow and melodic version, with lazy drums and wilting chords as rainy keys fall from above. it glows like street lights at night and closes out an ep with real attitude

version galore is a newly found label, deeply rooted into the music culture. we bring you the selected reworks / versions from the top producers in the game, showing lots of respect and care for the original, but elevating it s spirit and taking it somewhere else. it s all about the dialogue of cultures and the idealistic desire to pass the music legacy on! no half-measures, played-out tunes, lazy cuts, or boring “808-kick boosting- biz! on the second release of the label we are delighted to present you something special from the heart of russia - handcrafted re-edits by the moscow-based groove expert lay-far of basic fingers, gamm & bbe fame

a collection of 12 house classics on double 12” vinyl, housed in a gatefold sleeve.

one year after its debut release, in any case is back with its third record, delivering, as planned, a large organic and groovy sound-scape.this time, co-founder mal... cutouane - sorry - is taking the lead with an edit flawlessly handled , you ll find an uptempo driving beat, a collection of horns and vocals but most importantly, a killer bassline that won t fail at keeping your dancefloor tight. next to him, you ll trip on one of the newcomer to the imprint, kaffe crème, teaming up with co-founder g2s on an hybrid track. this one won t disappoint you with its funky bassline, jazzy and lush rhodes layers, horn ensemble and lastly, mellow pads and sax solo , everything cleverly arranged on top of a massive beat. this one already got dancefloor-proofed this summer and should represent a nice addition to your sets. on the other side, you ll find another new face on in any case named 4004. he worked on a mellow sounding house groove, with jazzy drums samples and a mean bassline below some lush electric piano samples. this one will make your head move anywhere you ll listen to. we ve then got the same team as on a side , g2s & kaffe crème, with a more chopped up track, blending up a disco beat and bassline supported by some house drums and jazz samples for an unusual yet pleasant feeling. closing this third adventure, manuel nie from iac002 is returning to the label with a leftfield downtempo joint, all groovy and organic sounding, perfect for those lazy sunday afternoons.

beck’s 1998 album back on vinyl with code for high quality digital download included.

after a lengthy hiatus, tuskegee music is back with a heavyweight release indeed: it features tracks written by detroit heavyweights seth troxler—under his young seth alias— and cult fxhe boss omar s. amazingly they were written 11 years ago and have been long forgotten until recently being unearthed. the first track here was inspired by a trip seth made to berlin’s club der visionaere in 2005. “it basically was me returning to detroit and telling omar about this crazy music i heard ricardo play during the day.” the result, ‘deep’(cdv 2006 mix), is a spine tingling atmospheric deep house track. the drums are lo-fi and loose, the bassline is a meandering thing that really sucks you in and soft, gentle toms tumble around the groove and encourage you to cut loose. then comes the experimental slow motion drum shuffle of ‘detroit after midnight’ which the pair made after “finding loads of weird records in his basement sampling them and making a classic mpc detroit cut.” it has the sounds of people talking as if coming from the room next door laid over a lazy and undulating bassline, and is brilliantly weird and sketchy. last of all, young seth goes solo on ‘luiza’s inferno’ five minutes of him jamming on omar’s ms20 with a warbling synth line coated in warm tape hiss and layers of dust. it’s a beatless piece that shows how inventive and ahead of his time troxler was even as a young man. this is a brilliantly unusual ep and another winner for seth troxler and the martinez brothers’ tuskegee label.

break at home is the collected recordings of the mysterious group 2 katara which was formed in athens, greece in 1978 by george theodorakis (keyboards, percussion, vocals) with his close friend dimitris papangelidis (bass, guitars, percussion, vocals) tip! this musical-duo recorded quietly over a decade between theodorakis’ family idyllic home studio in the philopappou hill of athens and the nearby studios theta and sr. for some part, the tracks seem like adventurous experiments or even unfinished samplers or riffs the band starts to develop, but at the same time there are productions that are clearly meant to be the backbone of an album that never came out.

jacy bozzi italian dj, composer and arranger. he is the founder of home of house records. deeply devoted to the old school sound (88-94) of classic italian house. he was picked up to feature on both of young marco’s welcome to paradise compilations and released the superb somewhere in the tapes ep on the insanely good kalahari oyster cult &#8206,,,label. dj haus had access to a world of lost dats and dug out 4 super deep italian house master pieces, real composition, no lazy sampling, just pure midi house music from italy.

version galore is a newly found label, deeply rooted into the music culture. we are bringing you the selected reworks / re-edits from the top producers in the game, showing lots of respect and care for the original, but elevating it s spirit and taking it somewhere else. it s all about the dialogue of cultures and the idealistic desire to pass the music legacy on! no half-measures, played-out tunes, lazy cuts, or boring -808-kick boosting- biz! on the first release of the label we are delighted to bring you the chosen cuts from the man that needs no introduction - opolopo. he knows a thing or two about making a personal version of a track that can easily overshadow the original, and we guess that s the case with the two cuts he prepared for us on this records. things escalate fast. on the a-side you will find originally a midtempo mild jam -go get it-, which is turned by opolopo into an effectively-upbeat stomper that will inject true feeling and groove in any house or disco set alike. it s one of those rare occasions when a soulful tune turns out to be super dance-floor efficient no matter what! the b-side is all about the raw and emotional funky madness of -american promise-. it s infectious groove, pinpointed with growling sub-bass is just devastating. epithets are irrelevant here - just play it loud, but with caution! -version galore - play some more!-

exklusive vinyl-veröffentlichung! diese unauffindbare modern jazz-10inch lp von 1962 mit internationalem ruf gilt als eine der begehrtesten sammler-trophäen. erste neuauflage im originalformat, mit neun kostbaren aufnahmen aus dem atlantis club am klosterberg in basel: elsie (piano/ akkordeon/ gesang) mit siro bianchi (bass/ klarinette) und kenny schmidt (schlagzeug), mit versionen von tunes des american songbook stormy weather, no moon at all, canadian sunset und eigenkompositionen wie atlantis blues oder baron lazar. replika der privatpressung, ursprünglich erschienen in einer auflage von 50-100 stück, mit frontcover-artwork von malerin irène zurkinden.

comes with download code.

after&#8203,,, &#8203,,,their&#8203,,, &#8203,,,opening&#8203,,, &#8203,,,release&#8203,,, &#8203,,,by&#8203,,, &#8203,,,the&#8203,,, &#8203,,,mysterious&#8203,,, &#8203,,,joint&#8203,,, &#8203,,,minds&#8203,,, &#8203,,,collective,&#8203,,, friendship & decadence &#8203,,,returns&#8203,,, &#8203,,,with&#8203,,, &#8203,,,a&#8203,,, &#8203,,,deep&#8203,,, &#8203,,,and&#8203,,, dubby &#8203,,,techno-oriented&#8203,,, &#8203,,,compilation&#8203,,, &#8203,,,-&#8203,,, &#8203,,,assorted&#8203,,, &#8203,,,pieces&#8203,,, 1. the various ep features &#8203,,,a smoky&#8203,,, &#8203,,,vocal&#8203,,, &#8203,,,and organ&#8203,,, &#8203,,,filled&#8203,,, &#8203,,,late&#8203,,, &#8203,,,night&#8203,,, &#8203,,,track&#8203,,, by kade, &#8203,,,&#8203,,,a dreamy&#8203,,, &#8203,,,and euphoric&#8203,,, &#8203,,,sonic&#8203,,, &#8203,,,signature&#8203,,, piece by satoi, a gritty&#8203,,, &#8203,,,and&#8203,,, &#8203,,,bass&#8203,,, &#8203,,,heavy&#8203,,, &#8203,,,studio&#8203,,, &#8203,,,recording by mirage man &#8203,,,and&#8203,,, &#8203,,,a dark percussive&#8203,,, &#8203,,,and&#8203,,,&#8203,,, &#8203,,,organic&#8203,,, &#8203,,,dance-floor&#8203,,, jam by poly sone.

having already made a strong connection with the ever-excellent udacha label, russian duo gamayun now take their talents to hesperian sound division to unfurl more of their delicate, richly musical creations. -golden ratio- leads in on stunning jazz piano refrains, edging threads of percussion into the mix with poise that sets gamayun apart from the rest of the crowd. -ascension- takes things in a more cosmic direction, all swooping and swooning synth lines beamed in from a distant star. -untitled- has a more lazy, blues-minded attitude, while -uvolnenie- edges a little more techno influence into the mix, but truly this is space-age music played by musicians with genuine chops.

was bisher geschah: die ersten 5 folgen der king kong kicks serie fanden sich immer in der nähe der tanzfläche, *ready for the floor* war die Überschrift, kompromisse eher die ausnahme. nun erscheint die magische 6. dieses mal steht in großen lettern *the slo-mo diary* darüber. das steht für einen veränderten blickwinkel und dafür, ab und an auch mal einen gang zurückzuschalten. *the slo-mo diary* lässt die wellen aus kontemporären stilen in leichten wogen schlagen und zaubert die richtige stimmung. ganz egal ob früh morgens, am schreibtisch oder zum start in die nacht. king kong kicks vol. 6 spielt auch mal was ruhiges, versammelt die next-generation-lieblingssongs von künstlern wie jamie xx, bilderbuch und honne und ist der richtige begleiter, wenn liebe im spiel ist.

deluxe limited edition of 500 individually numbered copies on audiophile 180 gram yellow vinyl.
this is the original soundtrack to “profumo di donna”, a classic italian comedy film directed by dino risi, based on “il buio e il miele”, a story by giovanni arpino. when released in 1974, both risi and the leading actor vittorio gassman won important italian and french awards. the 1992 american remake, “scent of a woman”, features al pacino, chris o’donnell, philip seymour hoffman a.o.

mimique records releases #3, 5 & 7 all bundled up for one special price!

gary brackley aka g.r.i.t returns to meanwhile afor his second full length vinyl release following on from 2012 s ahighly regarded and asought after as i look to to the sky. the seven new tracks presented here acould easily be described as a great dub techno album by the lazy hack but the sound palette used goes way beyond that, afusing elements from detroit, drone, industrial, and ambient techno which when coupled with his production techniques result ain a sound that is uniquely g.r.i.t atake opening title track difting from the bay which draws on the sounds of detroit with emotive chords and delicate percussion, or principle with deep distorted amodulations. if you want a adance floor cut alook no futher that expansed awhich grooves with driving chords, and asubtle persussive builds, aor for asomething heavier there is -pheonix- awhich would sound quite at home in any techno main room. tracks such piagga and dead faces balance heavy industrial beats and noises with meloncholy chords and pads to produce tracks of immense depth and feeling. and closing the album perfectly is immersion with mournful aambient works-esq achords and melodies, in which you will indeed find yourself drifting from the bay

ralphi rosario is a pioneer of house music, kicking off an influential dj career in chicago when he was still in high school. the remixes and productions that followed have garnered him #1 billboard dance chart hits as well as more than 20 well-respected years spinning records. he’s an artist who represents the ethos of glitterbox recordings, with decades of quality house music history woven into every beat. also in line with the spirit of the label, ‘wanna give it up’ is a classic track given some very tasteful modern updates, from dr packer and jamie 3:26. the familiar ‘légo’s dub’ from the original release is present and correct, alongside a suitably funked-up version from disco edits maestro dr packer. finally, fellow chicagoan jamie 3:26 amps the party up a further notch with some irresistible clinking percussion and a lazy-cool groove.

here comes argoman, the antihero of disco music. inspired by the 1960s b movie super hero argoman, the name literally means lazy man, however its also a combination of three italian producers names, who started the project about one year ago. the track chimicalissimo merges the vibrant rhythms of disco with the emotional approach of modern electronic music. its a peak-time dancefloor banger completely produced with analog synths and drum machines. the tune is a proper voyage between syncopated rhythms and heavy basslines soaked with synth melodies that often recall idm progressions. the dub version gives more space to a melancholic piano melody that culminates through analog arpeggios to an unstoppable build. black spuma remix finally turns the track into a slow burning disco monster.

before coming back in september for a new year of new releases, lddlm gives you their current mood and state of affairs in the form of a sampler 12inch grieve not, but try again. luke abbot s mix of easters champagne has been in our drawers since the very early days of the label but still shines as new. no dust gathered. easters synth pop is turned into a slow, yet nor chugging, futuristic r n b number. this is our conception of sunrise music. tom of england grasps the metallic fury of mutado pintado s classic lazy boy and chops it in a grinder. decomposition / re-composition with of high industrial standard. a scene from a future, a from-a-lost-tape edit by our underbuy manfredas has been one of our biggest club tracks for the last year. check his recent boiler room ending to know how warped yet strangely hit-like it is. finally, cowboy rhythmbox decided of their own accord to do a club edit of golden bugs physical disco. we liked it, we release it. simple and effective. jugular attack

next up on hell yeah is -the most balearic record i have ever released- according to label boss & it comes from japan s disco don max essa which features a four part track, themes from the hood, the cad, & the lovely, on one side of vinyl, and two more on the flip. essa was born matthew bruce and the uk artist has now been releasing his blissed out beats on labels like feel music, electric minds, bear funk and is it balearic? recording for a decade. a prolific producer whose big hits like panorama suite/uptown vibration (is it balearic?) from 2010 have long been in the hell yeah boss s record bag, essa first approached the label with a bunch of tracks. a good correspondence alchemy ensued and together the artist and label decided to put out the most timeless 12inch possible. the exquisitely ambitious themes from the hood, the cad, & the lovely is almost 12 minutes of serene ambient synth work that is like a soundtrack to a hot summer s day. heavenly chords sound just like a breathy female vocal and as they come and go, one finger piano tinkles add real emotional beauty and gentle twinkles shimmer in the distance. half way through lazy drums propel things along at a loveably lethargic pace and immediately place you on the beach. on the flip, saguaro is just as organic and beautiful, but has tumbling drums, wooden hits and soft claps as well as essa s magical synth work all bathing your soul in warm rays. b2 buran chime is perfectly horizontal and expansive, with tinkling triangles, angelic chords and scattered hits and harpsichord sounds all radiating effusively. this is timeless music that will calm busy minds now and forever.

nice price deal !!! total killer remix session from agoria for this now already classic track by general elektriks. influenced by jazz and detroit techno as well, agoria is back! for an explosive meeting with the amazing keyboards killer general elektriks, the multi-artist/producer based in the san francisco bay. here is a massive deep-house remix from one of the best talented (and acclaimed!) french artists. groovy & spacey. on the b-side, another remix of raid the radio by general elektriks himself! a lazy lazy tune ... ready for the indian summer in dub? the last one is an previously unreleased track: how she got away ...

nice price deal !!! a key milestone in the labels discography. the ep begins with a cool drifting taste of modulated pads, rhythmic guitar and simple drum work. highlighting a bit more of a funky disco groove, atlantis is a liquid soul jam for the ages. the beat picks up with count down to zero, as an uber progressive hypnotic loop track gets lost in the smooth key stabs. the tribal vibe picks up with dont look down, adding some more percussion, slow attack synth chords and crazy rhodes melodies. gabriel slows things down to a lazy dubbed-out house cut full of succulent strings, charismatic claps and middle-eastern harmonies. great for the late-night club slot or an introspective headphone listen, this solid ep is a sure fire success!

nice price deal !!! the rejuvinated playtime presents worthy and yankee zulus >the bs connection<. the san francisco / katabatic / dirtybird star worthy versus irelands yankee zulu, whose recent tracks have had raves from luciano, pig and dan and playtime favourite justin robertson. it s already being played to death by claude von stroke, it s got that wonderfully lazy funk that we like round here, and it s got a killer andre crom remix that makes the groove simultaneously more insistent and weirdly looser

the man known as dj nature holds a long and illustrious list of releases that spans all the way back to the early 90s, when, as nature boy, the bristol born dj and producer was carving out sample heavy house music for labels like ruff disco records and the underworld affiliated tomato label. his relatively modern re-incarnation, as dj nature, has seen singles and two albums come correct on revered labels like golf channel recordings and jazzy sport. following on from futureboogies landmark 50th release, dj nature drops a heavyweight four track ep on the bristol label, each track promising and delivering summertime vibes in abundance. born lifted, with its deft guitar licks and soulful vocal chops over lazy, hazy beats, is a great example of the nature aesthetics that make his tracks so very popular across the house fraternity. my life picks up the pace, deploying granite hard snares and cosmic chords with dusted vocal samples. on the flip, what it isnt packs some jazz chops with its sampled pianos and saxophone riffs over a discordant beat that swings with the best of them, whilst ep closer loving u more again serves up some delicious summertime grooves with the perfect marriage of deep, funky bass and seductive samples.

bunkr enslave dust-coated synthesizers, dilapidated drum machines and rusty fx boxes to craft 4/4 tunes for their impatient overlords. their vision is clear they will make techno, they will make house, they will make electronica, and you will listen and dance. its not yet clear if bunkr is the work of one frenzied human or many lazy individuals but we do know one thing - the ringleader is one james dean, who previously released as lost idol on labels such as pork recordings, nature, final frontier and cookshop. following a prolonged spell of writing music at slow tempos, dean initiated bunkr as a reactionary desire to speed things up. too much time had been spent just sitting around - it was time to stop sitting and start dancing. true to their vision, here we have cloud chaser, a bubbling jam backed with a huge remix from shan, who flips the mix with dramatic strings, sprinkles of magic dust and massive amen breaks. no less impressive is junos revenge, a track youd turn up on your headphones while taking a nice afternoon stroll on the moon, on a sunny morning after a long interplanetary rave. igor tipura delivers the rework, complete with a marching percussion workout and acid chemtrails that will send you right back to 1993.

new imprint ocd’s first release comes from portland native aaron carlson who, with his ac$ alias, has generated quite a buzz in underground circles of late, off the back of a few highly sought-after records. ‘do u know what u represent?’ is a slice of rolling tech-house that utilises vocal snippets amidst a flurry of 909 hats while the rhodes-laced ’more odds’ dials up the swing with a nod to early prescription releases. on the b side, ‘just like you’ is a more heady affair, seeing lazy chords sitting over a nebulous bassline and assorted weirdness, while the acid-tinged, atmospheric ‘organ morph’ is sure to find favour with fans of binh or nicolas lutz.

sliding into french press lounge’s second 12” in a reasonably priced used car on rain-soaked tarmac is hollywood, fl producer saki. known for his famously crispy, nearly-obliterated sound and rude-dude attitude, saki pulls down the gain (and the sun shades) to provide four hazy coastal house tools fit to blast over the comm system above the lazy river, relying on a no-frills hardware setup (homie needs floppy discs to even play a track!) and a rough-and-ready live recording policy, complete with abrupt endings.

debut record from new numbers signing dukwa.
limited to 300 copies
screen printed sleeve by al white

following his first ep for accidental jnr in the summer bambooman is now back with something entirely different. the downtempo experimental designs of the ‘feel ep’ give way to his latest offering ‘shudder’. available on 12” and digital the 4 tracks of shudder weave through a club music tapestry like a chainsaw through custard. the opening and title track is hard to describe, a mix of off kilter synth stabs and hammering snare that routes you to the floor - it’s one of those tracks to whip out of your bag to remind the crowd they have no idea what is coming next. track 2 ‘grasp’ with a blissful detroit groove under deep rich melting chords is a perfect blend of early funk house style and super crisp new production. side b opens with ‘m1’ a lazy floor track with washes of bells, static and detuned synth above a bed of solid kick and shuffling bass. finally ‘kyrian’ closes proceedings, another club friendly slice (despite being in a 7&#8260.8 time signature), the track could have led the ep in its own right but feels like the perfect bookend with its shifting almost garage like 2-step feel and glancing vocal hook.

the second release of girasole records is made by daniele temperilli. he released before on slapfunk records, quality vibe records, mlh and kakudo records. now on his own imprint girasole records with 4 housecuts. a1 is starting deep with a slower vibe. a2 is more energetic, but still has that lazy vibe. the b-side is more rough. b1 is a straight going track with a profound twist. b2 is the most rough and energetic tooltrack of the ep.

the elusive dj groov slides from under a long lost 93 slipmatt to present a very special weekend long jaunt into heavy acid & breaks territory.
from the swaying euphoria of “back to”, to the 10 pills breakneck acid blaster “human?”, the synth-drone paranoid alien abduction jaunt of “jam from space haus”, and lastly the skitzy, noise-peppered tinker-toy acid of “skizzacid 78”.
full lazy acid sofa vibes over the long easter weekend. way too much haze and way too many alien movies. comes on an extra hot 12” complete with sticker.